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Tag Archives: TV

Emmanuel Lewis: The Antigary

29 Tuesday May 2012

Posted by Smaktakula in Celebrity

≈ 7 Comments

Tags

adorable, African-Americans, Antigary, baby bunnies, Brooke Shields, Clark Atlanta University, death by gun, death by hooker, Diff'rent Strokes, diminutive skonks, Emmanuel is the Antigary, Emmanuel Lewis, evil alternate universe, famous short people, former child stars, Gary Coleman, karate, King of Pop, Lolcats, man-whores, Michael Jackson, shitty TV shows, short people, skonks, small black actor, The Biggest 40 Inches in Hollywood, TV, Utah, Webster, Whatchootalkinboutwillis?

By Smaktakula

Emmanuel’s Ambidexterity Keeps Her Smiling.

Diminutive former child stars Emmanuel Lewis and Gary Coleman are often mentioned in the same sentence. At first glance, the similarities seem obvious: both were stunted African-American Eighties sitcom stars prized for their cuteness. And when their respective TV shows were cancelled, the two men faded from the public consciousness.  But the similarities end there.

Don’t Feel Sorry For Him; Emmanuel Can Take Care Of Himself. He’s Only Here To Hook Up With Brooke.

Coleman’s sad fate has been well documented, not least by this publication. After Diff’rent Strokes faded away, Gary struggled, both financially and personally. Gone from him were any traces of the beguiling cuteness which in 1978 seemed so limitless. He was a surly, unwilling TV presence, seemingly at odds with his Whatchootalkinbout past, but cognizant that nostalgic catchphrases were his sole remaining tether to show business. After a number of pitiable episodes which were captured on video, Coleman found himself in a sexless marriage with a known cooze. His sad, short story came to an end last year.  God’s final joke on Coleman, having previously left him dwarfish, broke and virginal, was to let him die in Utah.

“It’s Not Fair. I’m Taller, Have A Sexier Voice And Made Way More Money. I’ll Bet You Can’t Name Even One ‘Webster’ Catchphrase. Well? You Can’t, Can You?”

Lewis, on the other hand, not only remains alive, but seems to have a life worth living. The adorable little fellow, who at 4’3″ is almost a half-foot shorter than was Coleman, has retained much of his former cuteness, still ranking consistently between ‘Lolcat’ and ‘Baby Bunny‘ on the Universal Cuteness Scale. Nor does it appear that the little skonk has any compunctions about using his former celebrity in the pursuit of nooky. He has no doubt already staved off the virginity which haunted Coleman throughout his loveless life.  Lewis, an aficionado of karate, has taken various steps to improve himself. In 1997 the randy runt earned a degree from Clark Atlanta University.

Beware, Ladies! Lewis Is In Complete Control Of His Hyper-Adorableness. He Uses It Like A Weapon.

And yet, despite the differences between these tiny icons, it is not by accident that the pair is so often associated with one another. The most popular theory to explain this is that Lewis, for whom records date back only as far as 1971, is actually Gary Coleman from a parallel plane. The evidence for this is circumstantial, but compelling. Where Coleman was dissatisfied, sullen and virginal. the former Webster is a charming, happy little man-whore.

She Came With Michael, But Emmanuel Took Her Home.

Whether Emmanuel Lewis is actually Gary Coleman from an evil alternate universe or, however unlikely, the two are actually different individuals with no relationship between them, there can be no mistaking the very different roles they play in society and within their own lives. Lewis is the Antigary–he may yet die young, but you can bet it will be a demise worthy of the man once called “The Biggest 40 Inches In Hollywood,”  possibly involving a hooker and a handgun.

“That’s What I’m Talkin’ ‘Bout, Bitch.”

SEE EMMANUEL FLIRT WITH A CHUNKY REPORTER!

SEE EMMANUEL DANCE IN THE LIVING ROOM WITH THE KING OF POP!

SEE WHY EMMANUEL IS AN INTERNATIONAL SUPERSTAR!

SEE WHAT JEALOUS GARY COLEMAN HAD TO SAY ABOUT EMMANUEL’S ADORING LEGIONS OF FANS!

The Heartbreak Of Psoriasis–It Makes You Stupid

13 Thursday Oct 2011

Posted by Smaktakula in Culture, Science, Stupidity

≈ Leave a comment

Tags

Commercials, heartbreak of psoriasis, horrifying infirmities, IBS, incontinence, Irritable Bowel Syndrome, medicine, psoriasis, Restless Leg Syndrome, RLS, self-diagnosis, television, the squirts, TV, Why am I so stupid?

By Smaktakula

Why? Because You're A Creature Of Pure Evil, Of Course.

Aside from wasting away year upon tedious year in medical school, the best resource for individuals wishing to become experts in the science of medicine and well-being is, of course, the television commercial.  It was medical advertising that first brought to the world’s attention such hidden maladies as Restless Leg Syndrome (RLS) or Irritable Bowel Syndrome (IBS, formerly known as ‘the trots’).  TV commercials reassure aging men with overactive bladders that they don’t suffer alone, and have made it possible to publicly discuss adult incontinence with only mild discomfort.  As it has with so many other areas of knowledge–politics, the arts, Jersey Chic–television has imparted modern society with a robust and erudite knowledge of all things medical.

In recent years, commercials have shed light on the previously misunderstood ailment, psoriasis.  Psoriasis is a skin condition which can result in painful and embarrassing rashes.  Medical professionals have long been acquainted with psoriasis’ physical blight, which sometimes causes the afflicted to be confused with lepers.  But one heretofore-undiscovered symptom which can be inferred from the commercial is that, in addition to turning human skin into tree bark, the malady exerts an adverse effect on mental capacity.  Were this the case, the producers and advertisers behind anti-psoriasis treatments wouldn’t feel compelled to explain that the little men depicted in the commercial as banging on plates are not at all like the actual biological processes of the disease.

Skin Like An Alligator, And A Brain Like One, Too. Sad.

Commercials We Do Not Like: Bad Andy

22 Tuesday Feb 2011

Posted by Smaktakula in Culture

≈ 1 Comment

Tags

"I've fallen and I can't get up!", A1 Steak Sauce, advertising, Bad Andy, Bush's Original Baked Beans, Commercials, commercials we do not like, Domino's Pizza, drugs, Duracell Family, feces-flinging primates, FEMA, fever hallucinations, GEICO Cavemen, LSD, magic of the marketplace, Old Spice Man, Olive Garden, people with short attention spans, Pets.com, pizza, puppets, Quizno's, Raggedy Andy, sock puppets, spokescreature, Spongemonkeys, TV

By Smaktakula

Look--At Least Now You Know Now Why Your Pizza Tastes Like Monkey Ass On Cardboard.

Television commercials are subject to the same limitations as all human endeavors: they don’t always turn out the way they’re supposed to.  Advertising can be particularly vulnerable to this in that failure might not only mean that a spot was unable to steer buyers toward a product, but that it actually turned existing buyers away.

These Horrifying Simulacra Did Not Encourage Customers To Buy Duracell Batteries. Rather, They Caused Terror-Induced Incontinence.

At the same time, innovations such as digital recording which make it easier to skip through commercials have given advertisers greater anxiety that their message not be heard.  Increasingly these advertisers are forced to concoct new and outlandish advertising campaigns to seize–however briefly–the viewer’s consciousness before his moth-like attention span gives way.

This Advertising Campaign Was Funny . . . (Wait For It) . . . About A Million Years Ago.

Sometimes, as in the case of GEICO’s ‘Cavemen‘ or the ‘Old Spice Man‘ commercials, a radical vision can portray an existing product in a fresh light.  More often, however, these attempts are forgettable misfires, quickly relegated to the dustbin of commercial history.

"But You Know What Would Really Help Us Sell Our Sandwiches?--A Horrifying Creature That Looks Like What You'd See If You Swallowed An Eye-Dropper Full Of LSD While Battling A 104° Fever."

But there exists an odious few campaigns, spectacular misfires which have been elevated to the pantheon of all-time rancid commercials, which cling in the mind like dog shit on the bottom of a shoe.  One such commercial campaign was Domino’s late, but certainly unlamented, ‘Bad Andy.’  Around the Turn of the Century, Bad Andy stunk up the airwaves like nothing else.

We Don't Recall Anyone Asking For 'Gay Andy.'

“Bad Andy, Good Pizza.”  Conceived upon a foundation of fallacies, the campaign was doomed to fail.  The first of these was the mistaken belief that, despite the cautionary example of Pets.com, sock puppets would appeal to anyone but the poorest of children.  The second miscalculation was even more severe: a failure to recognize that a feces-flinging primate run amok inside a pizza parlor is not only unappealing, but shockingly unhygienic.

Don't Be Alarmed--She's An Actress And Wasn't At All Hurt During The Filming Of This Classic Scene. Of Course, She's Dead Now.

Thanks to the magic of the marketplace, consumers quickly convinced Domino’s that the savory aroma of fresh pizza and the nasty funk of the zoo’s monkey house were two tastes which didn’t belong together.  Bad Andy was unceremoniously yanked from television, and with the exception of a brief stint as Deputy Director of FEMA in August of 2005, the irritating puppet has maintained a low profile ever since.

Bad Andy’s debut!

The mouth-watering stank of moist primate:

And he’s a fucking thief now . . .

Me vale madre! Bad Andy en Espanol!

Jeez. Maybe They Should Call You 'Sleazy Andy.'

Want more shitty commercials?  Try these:

Bush’s Original Baked Beans

The Olive Garden

A1 Steak Sauce

Things We Think About: Pictures

17 Monday Jan 2011

Posted by Smaktakula in Culture

≈ Leave a comment

Tags

a photograph is worth a thousand words, a picture is worth a thousand words, America's Funniest Home Videos, aphorisms, art, beautiful people, Bob Saget, casaba melons, Cat On A Leash, cliche, Full House, grammar, has-beens, images, maxims, Mike Tyson, mulletards, mullets, photobombs, photography, pictures, righteous mullet, shitty TV shows, syntactic singularities, syntax, Tardsie, Tardsie The Backpack, Things we think about, Travels With Tardsie, TV, ugly people, unfunny comedians, words

By Smaktakula

We're Pretty Sure You Could Squeeze A Few More Words Out Of This Beauty.

Few aphorisms are as ubiquitous–or contain as much self-evident truth–as  ‘A picture is worth a thousand words,‘ the notion that the camera’s eye catches such a visual abundance that it would take 1,000 words to describe it with any kind of justice.  This time-honored simile has not only survived since its introduction to common speech, but flourished thanks to its apt and easy-to-understand imagery.  The maxim is so well-known that it would not be at all surprising to hear it mouthed by a precocious six-year-old.

Thanks To The Casaba Queen, These Newlyweds Are Relegated Fewer Words In This Photo Than You'll Find In The Sentence "I Do."

But for as much use as it has seen since its probable introduction as a bit of ad copy in the early 20th Century, philosophers have yet to mount a critical study of the proverb’s underlying tenets.  Such an examination can yield heretofore unexpected insights into the nature of the image itself.

What A Tragic Waste. Those Lovely Young Ladies Deserved Their 333 And A Third.

The truth in this saying becomes evident after a limited examination of just one of the many propositions it puts forth.  Given that any single photograph is worth no more and no less than 1,000 words, how are we then to apportion dedicated words to the individual images contained within the photograph?

This Righteous Mullet Acts As A Syntactic Singularity, Sucking Sentences From Everything In Its Presence.

It would be hard to dispute, for example, that the Colosseum of Rome as depicted in a photograph might on its own merits command 1,000 words, so majestic and replete with history is the ancient structure.  That example is easy enough to follow, but lulls the viewer into the erroneous assumption that an image’s word value is a constant.  It is not.

Imagine then the same image of the Colosseum, but now with a huge Weimaraner lustily humping a French poodle in the foreground of the shot.  Wouldn’t the descriptive words necessitated by the inclusion of this comical scene into the otherwise-stolid tableau syphon syntax intended for the Colosseum?

Together The Kids Are Worth About 25 Words.

Unquestionably, the answer is yes: the 1,000 words alloted to a picture must be divided among the image’s component parts, such as in the previous example.  However, in the aforementioned instance we posited two subjects–a historical marvel and copulating canines–of equal interest to the average viewer.  But when we pair items of unequal appeal–say for example the Colosseum of Rome and a 1999 Buick LeSabre, or the randy dogs and Bob Saget, host of America’s Funniest Home Videos–it quickly becomes evident that all images are not created equal.

We Doubt There's A Person Alive Who Wouldn't Sacrifice Words Just To Be In This Photo.

Given that the various images captured within a photograph, digital recording device or artwork are not equally deserving of the object’s finite word supply–certainly the copulating dogs in the previous example rate higher than the irritating Full House has-been–the truth which reveals itself through this insight is as old as the image itself.  If images within a photograph are inherently unequal, then some are simply more important than others.

Try As He Might, Tardsie Can't Hope To Compete With Cat-On-A-Leash.

What does this all mean for you?  The implications are myriad, and at the very least will increase your awareness of the many factors comprising a good–that is, asthetically pleasing–photo.  Accordingly, you now will endeavor to pose for pictures with people less attractive and interesting than yourself, and if an enormous black drag queen dressed up like Brittney Spears circa 2001 wanders into the shot while you’re posing for a picture, you’ll be sure to let that thing of beauty speak for itself by getting your ass out of the shot.

Plain Girls--The Strategy Of Posing With A Less-Attractive Friend Can Be Taken Too Far.

Further Examples Of The Phenomenon:

In A Way, This Is Actually Fairer. The Chick On Our Left Would Only Have Taken Words From The More-Deserving Girls.

This Asswipe Successfully Executes The Very Difficult '1000 Word Steal.'

No Loss Here. We Can All Agree That The Cute Little Critter Deserves The Words.

The Poodle Doesn't Stand A Chance.

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